Thursday, May 19, 2016
Thursday's Guardian Country Diary is about thanatosis - the strange behaviour of some animals that pretend to be dead when they are threatened. It's also known as 'playing possum', because its most famous exponent is the Virginia opossum, but many other animals do it, from grass snakes to tiny insects like this vine weevil that I found amongst primroses in a wood in Teesdale.
Vine weevils are notorious horticultural pests because their larvae feed on the root systems of garden plants - especially those grown in pots. The first sign of their presence is wilting of the leaves, by which time they have destroyed most of the root system.
Vine weevils are parthenogenetic, laying fertile eggs without the presnece of a male to fertilise them, so it only takes one weevil to start a pest infestation.
The adult weevil is a slow-moving cumbersome beetle that cannot fly, so when it's disturbed it simply tucks its legs under its body .....
.... and either drops to the ground or rolls onto its back, keeping perfectly still. In this state it's hard to spot in the soil. Eventually, when it thinks the coast is clear, it stretches out a tentative leg, rocks itself until those sickle-shaped claws grip a leaf, hauls itself right-way-up and ambles away.
Thanatosis is very common amongst weevils but it's most lively insect exponent is the click beetle, whose larvae are the notorious wireworms that burrow into potato crops.
These little beetles play dead the moment that they are touched but they revive quickly, in a particularly alarming way.
While they are on their backs a small peg locks the joint between their abdomen and their thorax, so when they flex their muscles great tension builds up. Eventually the attachment between the wing cases and thorax slips and they straighten instantaneously, somersaulting into the air and away to safety. It they land on their backs again they repeat the process, sometimes two or three times until they land right-way-up.
Sunday, May 15, 2016
The Korean fir Abies koreana in our garden has been releasing vast amounts of pollen over the last few days.
These are the male, pollen-producing cones near the ends of the branches. Like all conifers it's wind pollinated and the pollen released is quickly diluted in an enormous volume of air, so it tends to be produced in great quantities. If you give the tree a shake it briefly hangs like a yellow cloud in the air.
These are the pollen grains under the microscope, magnified about 80 times.
If you look closely you can see that each pollen grain has two inflated air sacs, which are extensions of the pollen coat. These increase the surface area of the pollen with minimal increase in weight, so enhance its aerial buoyancy.
Click here for more on conifer pollination.
This is where the pollen grains are heading - the new female cone at the top of the tree. Only a few of the pollen grains will successfully complete their journey and fertilise the female ovules, which are arranged in pairs on the upper surface of those whorls of cone scales.
At this time of year they are an attractive shade of purple but by autumn, as they seeds develop, they become brown and then break up through the autumn. Coal tits are particularly partial to the seeds - click here for photographs of them picking the cones apart.
Friday, May 13, 2016
The King Penguin series of books, published between 1939 and 1959, covered a very wide range of topics. This is one of my favourites because it seems to have been written by someone who was untroubled by the boundaries between the arts and science.
Seashore Life and Pattern was written by T.A. Stephenson, Professor of Zoology at the University of Wales, and published in 1944.
Thomas Alan Stephenson was born in 1898 and died in 1961. He was a talented zoologist and artist and was a leading authority on sea anemones, writing and illustrating the definitive texts on them. He was elected a Fellow of the Royal Society in 1951. You can read more about his career in science here.
He was clearly someone who appreciated nature for its aesthetic qualities, as well having the enquiring mind of a scientific researcher. He was fascinated by the relationship between beauty in nature and beauty in art.
In his own words, in his introduction " ..... the author of the volume has been painting seashore and other subjects for thirty-five years, and is as much interested in marine life from a decorative point of view as from a zoological."
Stephenson produced all the illustrations for the book - monochrome in the text ....
... and colour plates at the end. He also designed the book cover.
Stephenson's book has one of the most unusual and charming dedications that I have ever some across, and perhaps encapsulates that 'common interest'. Whenever scientists write dedications to those who have inspired them the result is usually interminably tedious and dull but here the author simply chose to illustrate his sources of inspiration, in the shape of the elegant curves of his wife and of a fast car.
You don't see dedications like that in scientific publications these days, sadly.